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Elizabeth Gilbert
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[S]eriously—is writing really all that difficult? Yes, of course, it is; I know this personally—but is it that much more difficult than other things? Is it more difficult than working in a steel mill, or raising a child alone, or commuting three hours a day to a deeply unsatisfying cubicle job, or doing laundry in a nursing home, or running a hospital ward, or being a luggage handler, or digging septic systems, or waiting tables at a delicatessen, or—for that matter—pretty much anything else that people do?

Not really, right?

In fact, I’m going to go out on a limb here and share a little secret about the writing life that nobody likes to admit: Compared to almost every other occupation on earth, it’s f*cking great.

[…]

To choose to be a mere writer in this tearful world, then (either for pleasure, or for a living) is a profoundly luxurious act. Because let’s keep it in perspective, writers: Our books don’t exactly feed the hungry. We ain’t saving the planet here, people.

But even more than being a luxurious act, writing is a voluntary act. Becoming a novelist, then, is not some sort of dreadful Mayan curse, or dark martyrdom that only a chosen few can withstand for the betterment of humanity. … If you’re lucky, you might be able to make a small living out of this thing. If you’re exceedingly lucky, other people might come to appreciate your gifts. If you are phenomenally lucky, you might become lionized in your own lifetime, like the great Philip Roth himself.

And if that should ever happen to you—if you should ever find yourself both successful and loved—please do try to keep in mind that you have been blessed, not blighted.

Yes, please! Elizabeth Gilbert responds to Philip Roth’s unbelievably grumpy and toxic advice to young writers

Gilbert isn’t alone: As British novelist Amelia E. Barr counseled aspiring writers in 1901, “One of the great helps to success is to be cheerful; to go to work with a full sense of life.” More than a century later, the great Ray Bradbury made it his legacy to advocate for writing with joy

The best advice I can come up with is this: Keep your living expenses LOW. The smaller you live (materially-speaking), the bigger you can live (creatively-speaking). This way the stakes aren’t so high…you aren’t demanding of your passion that it keeps you living a rich life. Then you can stretch and grow with the most possible freedom. This was my strategy in my 20’s, and it’s the reason I worked really hard to avoid all debts, and to keep my lifestyle really manageable. If I’d been saddled with a big life, I don’t think I ever could have found my way forward to the freedom I have now.

Elizabeth Gilbert’s advice for people who want to turn their passion into a career, a fine addition to our ongoing archive of sage advice.

Also see how to avoid work and do what you love.

( LIVEfromtheNYPL)

People think a soul mate is your perfect fit, and that’s what everyone wants. But a true soul mate is a mirror, the person who shows you everything that is holding you back, the person who brings you to your own attention so you can change your life.

[…]

A soul mate’s purpose is to shake you up, tear apart your ego a little bit, show you your obstacles and addictions, break your heart open so new light can get in, make you so desperate and out of control that you have to transform your life…

“I want to look out my window and see indefensible amounts of beauty.” 

Elizabeth Gilbert on learning how to say “no” and holding on to your commitment to your own creativity, in conversation with NYPL’s Paul Holdengraber