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George Orwell
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Preliminary drawing (top) for 1950 comic strip adaptation (bottom) of Orwell’s Animal Farm, used by various embassies as anti-communist propaganda.

Pair with The Art of War adapted as a comic and The Graphic Canon, the fantastic anthology of comic adaptations of literary classics.

One strong cup of tea is better than twenty weak ones. All true tea lovers not only like their tea strong, but like it a little stronger with each year that passes — a fact which is recognized in the extra ration issued to old-age pensioners.
George Orwell’s 11 golden rules for how to make the perfect cup of tea, along with a rare recording of the author reading “one of the most controversial parts of all.” 
Famous Advice on Writing

The collected wisdom of great writers, including Vonnegut, Hemingway, Didion, Sontag, Fitzgerald, Orwell, Kerouac, Atwood, Steinbeck, and more:

George Orwell: A Life in Pictures – fascinating documentary about the iconic author, available online in its entirety.

( Dangerous Minds)

A collection of artworks inspired by 20th-century authors
(↬ Flavorwire)
To that list I would add that writing has always seemed to me a fight against loss, an instinct for replay; a resistance to the attrition of memory. To translate lived experience into a pattern of words that preserves its vitality without fixing it in literary embalming fluid; that for me has been the main thing.
Desire to push the world in a certain direction, to alter other peoples’ idea of the kind of society that they should strive after.
George Orwell on why write
The existence of good bad literature — the fact that one can be amused or excited or even moved by a book that one’s intellect simply refuses to take seriously — is a reminder that art is not the same thing as cerebration.
George Orwell on “good bad books.” See also: Orwell on why write.
Here is a sad reflection for the ordinary reader, faced as he is with lifetimes upon lifetimes worth of books on entering even a small public library or a reasonably well-stocked bookshop. Since we can’t have very many, we must husband our time and attention carefully. But how to choose? The melancholy may lift a little when we realize that so many wise souls who have come before have been willing to serve as guides. And by guides, let’s be clear that I mean fellow-enthusiasts, not poseurs.
The New Yorker’s Maria Bustillos on what George Orwell, Henry Miller, and John Waters taught her about what to read next – complement with this meditation on the osmosis of reading and non-reading as intellectual choice.
The opinion that art should have nothing to do with politics is itself a political attitude.
George Orwell on writing
Above the level of a railway guide, no book is quite free from aesthetic considerations.
Sheer egoism… Writers share this characteristic with scientists, artists, politicians, lawyers, soldiers, successful businessmen — in short, with the whole top crust of humanity.
On his 109th birthday today, revisiting George Orwell’s Why I Write.
Serious writers, I should say, are on the whole more vain and self-centered than journalists, though less interested in money.
George Orwell, who would have been 109 today, in the 1946 gem “Why I Write”

(i) Sheer egoism.

(ii) Aesthetic enthusiasm.

(iii) Historical impulse.

(iv) Political purpose.

George Orwell, who would have been 109 today, defines and explains the four universal motives for creation.