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What’s the Story?
A discovery engine for meaningful knowledge, fueled by cross-disciplinary curiosity.
A Brain Pickings project edited by Maria Popova in partnership with Noodle.
Twitter: @explorer
Media and communication
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Over the past half-century, society has become more individualistic. As it has become more individualistic, it has also become less morally aware, because social and moral fabrics are inextricably linked. The atomization and demoralization of society have led to certain forms of social breakdown, which government has tried to address, sometimes successfully and often impotently.

Using search results from Google’s database of 5.2 million books published between 1500 and 2008, David Brooks deduces what changes in word usage frequency tell us about changes in culture.

This approach, however, is highly suspect given, as Virginia Woolf has famously noted, language is a living organism and words are constantly evolving, constantly refreshed and replaced with other words signifying the same thing. The leap of logic, for instance, between observing that “usage of courage words like ‘bravery’ and ‘fortitude’ fell by 66 percent” and concluding that the precedence of these qualities in society has dropped accordingly is, to say the least, questionable. How many times in your lifetime have you used “balls” or another less-than-high-brow idiomatic slang substitute for the antiquated “fortitude”?

You might as well ask “What is the future of mankind?”. Why could anybody ask such a general and unspecific question? I’ll still answer it. The future of type is the past of type: visual language. As long as we speak and write, we’ll have type. Different voices, different messages, different media: different type.

Erik Spiekermann points his uncompromising spear of no-bullshit sagacity at the question “What is the future of typography?”

Find Spiekermann in the wonderful compendium The Designer Says and listen to his fantastic conversation with Debbie Millman.

Talented writing tends to contain more information, sentence for sentence, clause for clause, than merely good writing. … It also employs rhetorical parallels and differences… . It pays attention to the sounds and rhythms of its sentences… . Much of the information it proffers is implied. … These are among the things that indicate talent.

The ultimate irony is that my new novel (West of Babylon) is only available in electronic form. I didn’t merely get hoisted by my own petard—my petard fell on me and shattered my skull. There will be zero chance I’ll ever see anybody reading my book. Zero. It will never, ever happen. I will never be able to sign anyone’s copy. (There won’t be a copy!) I’ll never experience the sheer delight (it has almost reduced me to tears) of walking into a bookstore and seeing a novel I wrote prominently displayed on a table in the front (or rotting away in the H section on a shelf next to Ernest Hemingway and Herman Hesse). There will be friends of mine who, because they’ll never buy an e-reader, will never read the book at all.

But what’s crucial, what gives me some infinitesimal measure of hope, is that this book I wrote and slaved over every day and obsessed over for years will still be out there. Wafting in the either, zipping across USB cables, flickering on screens, bubbling up to the surface of the world. The book will be somewhere.

I think.

Novelist and former “dead-tree loyalist” Ted Heller surrenders to the ebook era. Meanwhile, Patti Smith poignantly admonishes otherwise.

( The Dish)

Independent learning suggests ideas such as “self-taught,” or “autodidact.” These imply that independence means working solo. But that’s just not how it happens. People don’t learn in isolation. When I talk about independent learners, I don’t mean people learning alone. I’m talking about learning that happens independent of schools.

[…]

Anyone who really wants to learn without school has to find other people to learn with and from. That’s the open secret of learning outside of school. It’s a social act. Learning is something we do together.

Independent learners are interdependent learners.

Don’t Go Back to School – a must-read on how to fuel the internal engine of lifelong learning.
We live today not in the digital, not in the physical, but in the kind of minestrone that our mind makes of the two.
MoMA’s Paola Antonelli, mastermind of Talk to Me: Design and the Communication between People and Objects, at a recent TED salon titled “Design Is Everywhere.”
Mark Twain on “sponsored content” and “native advertising,” 1873.
There are laws to protect the freedom of the press’s speech, but none that are worth anything to protect the people from the press.

This is how humor works: It’s a conflict of synergies — we mashup these things that don’t belong together that temporarily exist in out minds.

A TED salon curated by Helen Walters, titled “Design Is Everywhere,” New Yorker cartoons editor Bob Mankoff illustrates his theory of humor with his most famous cartoon, which juxtaposes the syntax of politeness with the content of rudeness.
He also notes that the magazine calls cartoons “idea drawings” because an idea drawing “it requires thinking on behalf of cartoonish and thinking on behalf of reader to make it work.”
For more illustrative epitomes in action, see The Big New Yorker Book of Dogs.

This is how humor works: It’s a conflict of synergies — we mashup these things that don’t belong together that temporarily exist in out minds.

A TED salon curated by Helen Walters, titled “Design Is Everywhere,” New Yorker cartoons editor Bob Mankoff illustrates his theory of humor with his most famous cartoon, which juxtaposes the syntax of politeness with the content of rudeness.

He also notes that the magazine calls cartoons “idea drawings” because an idea drawing “it requires thinking on behalf of cartoonish and thinking on behalf of reader to make it work.”

For more illustrative epitomes in action, see The Big New Yorker Book of Dogs.

I believe in art’s social presence—as breaker of official silences, as voice for those whose voices are disregarded, and as a human birthright. … I don’t think we can separate art from overall human dignity and hope.
Poet Adrienne Richborn on May 16, 1948, adds to history’s finest definitions of art in the historic letter that made her the only person in history to decline the prestigious National Medal of Arts.

A woman working on an all-female team of data scientists in the gaming industry pulls an ingenious prank on her male CEO and replaces the scantily clad female comic character he has a soft (hard?) spot for with another kind of poster. 

But lest we forget, one of the brave everyday women at the helm of the Second Wave of Feminism did the exact same thing 40 years ago and shared it on the “social media” of her day.

( MetaFilter)

nevver:

  1. WAZZOCK
    Wazzock was a particularly prevalent—and particularly loutish—insult in the 1990s. At the time, “lad culture” ran throughout British music and television, and wazzock, a North-England accented contraction of the sarcastic wiseacre (a know-it-all) became a powerful tool to shoot people down in an argument.
  2. LUMMOX
    Though the etymology of lummox is heavily disputed, one thing is for certain: It came from East Anglia, the coastal outcrop of Britain above London. There, around 1825, someone threw out the word as an insult, and it stuck, becoming a typically British go-to term. Some linguists believe it comes from the verb lummock, which typified a lummox: it means a clumsy oaf.
  3. SKIVER
    Skivers and shirkers are one and the same. Someone who manages to duck under any responsibility and loaf around, doing very little, is a skiver. The origins of this particular insult are contested: some think it’s from an Old Norse word—skifa—meaning “slice,” whereby the worker slices off as much work as possible.
  4. MINGER
    Often hurled at the opposite sex, to call someone a minger is to say they are objectively unattractive. Though etymologists struggle to agree where the word came from, it seems likely that it stems from the Old Scots word meng, meaning “sh**.” We didn’t say it was pretty.
  5. NINCOMPOOP
    For such a colloquial word, nincompoop actually has a very learned past. Samuel Johnson, the compiler of England’s first proper dictionary, claims the word comes from the Latin phrase non compos mentis (“not of right mind”), and was originally a legal term.
  6. PILLOCK
    As words are used more regularly, the laziness of pronunciation can often warp them slightly. So it was with pillock. Originally pillicock (a Norwegian slang word for penis), the word has since been condensed to plain old pillock—though its meaning remains.
  7. CLOD HOPPER
    According to the brilliant Dictionary of the Vulgar Tongue, dating back to 1811 and compiled by Captain Francis Grose, a clod hopper refers to a country farmer or ploughman—with the implication nowadays that you’re slow witted and bumbling.
  8. DUNAKER
    Grose’s Dictionary of vulgarities is a rich seam of overlooked insults. In the 200 years since it was published, there have been several terms that have fallen out of favor. One of them is dunaker, a common thief of cows and calves.
  9. GIT
    By calling someone a git, you’re invoking the old Scots word get, which means “bastard.” When it came down south of the border, it lost its harsh vowel sound and became something softer, albeit with the required spikiness in.

Also see this handbook of literary insults and how famous words originated.

Message to a graduate – the inimitable Grant Snyder brings his brand of comic irreverence to the seasonal standby of commencement addresses and their cliches. 
But not all graduation speeches are created equal: Here are some of history’s most timelessly uplifting and thought-provoking speakers: Greil Marcus, Ann Patchett, Jacqueline Novogratz, Neil Gaiman, David Foster Wallace, Ellen DeGeneres, Aaron Sorkin, Barack Obama, Ray Bradbury, J. K. Rowling, Steve Jobs, Robert Krulwich, Meryl Streep, and Jeff Bezos.

Message to a graduate – the inimitable Grant Snyder brings his brand of comic irreverence to the seasonal standby of commencement addresses and their cliches. 

But not all graduation speeches are created equal: Here are some of history’s most timelessly uplifting and thought-provoking speakers: Greil MarcusAnn Patchett, Jacqueline Novogratz, Neil Gaiman, David Foster Wallace, Ellen DeGeneres, Aaron Sorkin, Barack Obama, Ray Bradbury, J. K. Rowling, Steve Jobs, Robert Krulwich, Meryl Streep, and Jeff Bezos.

Don’t tell us that it’s impossible and that there is no budget for glitter. Give us a wheel to reinvent. … We are more than the sum of our parts. We get presidents elected. 

Wonderful manifesto for the creative class, a term coined by Richard Florida in his 2002 modern classic The Rise of the Creative Class. Second only to the cinematic Holstee LifeCycle manifesto.

Pair with 5 manifestos for the creative life.

The best approach is to not try to write things that will go viral. No, the best approach is to write for just one person. Make an impact on just one person. Even better, make it so they can’t sleep that night unless they choose to make a difference for just one other person by sharing your message with them. The rest will take care of itself.
Seth Godin echoes Kurt Vonnegut, who in the seventh of his 8 timeless tips on writing advised, “Write to please just one person.”