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Samuel Beckett
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Newly revealed manuscript of a Samuel Beckett’s much-revised first major novel features doodles of James Joyce, Charlie Chaplin, and the Becket himself. 

The Nobel laureate, as we know, was a notorious doodler and, as few knew, was once André the Giant’s chauffeur

Complement with a peek inside the notebooks and sketchbooks of celebrated creators and the Moleskines of great artists and designers.


When André was 12, he was already over 6 feet tall and weighed 240 pounds. He was too big to fit on the local school bus and his family didn’t have the money to buy a car that could deal with his weight if it drove him to and from school.

Samuel Beckett, Nobel Prize winner (literature) and esteemed playwright, probably most noted for Waiting for Godot, bought some land in 1953 near a hamlet around forty miles northeast of Paris and built a cottage for himself with the help of some locals. One of the locals that helped him build the cottage was a Bulgarian-born farmer named Boris Rousimoff, who Beckett befriended and would sometimes play cards with. As you might’ve been able to guess, Rousimoff’s son was André the Giant, and when Beckett found out that Rousimoff was having trouble getting his son to school, Beckett offered to drive André to school in his truck — a vehicle that could fit André — to repay Rousimoff for helping to build Beckett’s cottage. Adorably, when André recounted the drives with Beckett, he revealed they rarely talked about anything other than cricket.

Who knew

When André was 12, he was already over 6 feet tall and weighed 240 pounds. He was too big to fit on the local school bus and his family didn’t have the money to buy a car that could deal with his weight if it drove him to and from school.

Samuel Beckett, Nobel Prize winner (literature) and esteemed playwright, probably most noted for Waiting for Godot, bought some land in 1953 near a hamlet around forty miles northeast of Paris and built a cottage for himself with the help of some locals. One of the locals that helped him build the cottage was a Bulgarian-born farmer named Boris Rousimoff, who Beckett befriended and would sometimes play cards with. As you might’ve been able to guess, Rousimoff’s son was André the Giant, and when Beckett found out that Rousimoff was having trouble getting his son to school, Beckett offered to drive André to school in his truck — a vehicle that could fit André — to repay Rousimoff for helping to build Beckett’s cottage. Adorably, when André recounted the drives with Beckett, he revealed they rarely talked about anything other than cricket.

Who knew

Famous authors as teenagers, the best thing since Einstein as a toddler. Pictured here: Ernest Hemingway, Samuel Beckett, Mary Karr, Neil Gaiman, Mark Twain.

They missed 14-year-old Susan Sontag.

When we say that love is ineffable, as Beckett knew, what we mean is that, when we love, we don’t know what the hell we are doing. We can’t stop talking through it, trying to figure it out. We think we ought to be talking about everything, doing everything, doing anything — breaking into spontaneous rage, talking about suicide, playing games, complaining about our boots — instead of just loving. We wait and wait and wait. Inevitably, boredom creeps in, terror creeps in. When you give yourself completely to another, as Vladimir and Estragon have done with each other, and you say, “Don’t leave me, you’re my only hope,” every day is a little more and a little less frightening, every day is a little more and a little less suicidal, every day is a little more and a little less. You could, like Vladimir or Estragon, easily be talked into hanging yourself from a tree by the only one who could save you from it. We must escape. We cannot. We can’t go on. We do.