Why do advertisers persist in selling the image of the beautiful, shapely woman executive who keeps the same perfectly made-up face and styled hair, even after a hard day of earning a six-figure salary, dining in expensive restaurants, having a brisk game of tennis at the club, and a late night of discotheque hopping? It’s no surprise that real women are tempted to wonder what they’re doing wrong.
If a brand is making a promise that you’re going to feel better about yourself if you buy it, they’re making a false promise. Human beings metabolize their purchases very quickly. … This is an element of what social psychologists call “the hedonic treadmill”: If you’re always looking to validate yourself and get satisfaction from buying stuff or having a bigger house, then you’re on an endless, addictive treadmill. There’s no enduring satisfaction to this. If a brand’s only purpose is to get you on that hedonic treadmill, it might be good for business in the short run, but in the long run, you’re doomed. If you look at the components of long-term well-being, it has nothing to do with material goods. Once you’re past a certain level of material well-being, people’s long-term happiness and wellbeing is about having deep personal relationships, believing in something larger than themselves, and doing something meaningful that they enjoy.
Wisdom from Wally Olins, godfather of modern branding.
I’m not a businessman – I’m a journalist. I don’t want to be a businessman – I want to be a journalist.
I don’t see an ethical line being definitively crossed here – just deliberately left very fuzzy. Maybe I’m old-fashioned but one core ethical rule I thought we had to follow in journalism was the church-state divide between editorial and advertizing. But as journalism has gotten much more desperate for any kind of revenue and since banner ads have faded, this divide has narrowed and narrowed. The “sponsored content” model is designed to obscure the old line as much as possible (while staying thisclose to the right side of the ethical boundary). It’s more like product placement in a movie – except movies are not journalism.
Cassandre, celebrated as one of history’s greatest graphic designers, was born on this day in 1901.