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The inimitable Grant Snider strikes again, with the day jobs of famous poets – including Jack Kerouac (railroad worker), Charles Bukowski (mailman), Emily Dickinson (cat-keeper), and T. S. Eliot (bank clerk.)

The inimitable Grant Snider strikes again, with the day jobs of famous poets – including Jack Kerouac (railroad worker), Charles Bukowski (mailman), Emily Dickinson (cat-keeper), and T. S. Eliot (bank clerk.)


Fame is a drag to anybody who wants new work done.

Jack Kerouac sends composer David Amram a note, 1960.

Fame is a drag to anybody who wants new work done.

Jack Kerouac sends composer David Amram a note, 1960.

Jack Kerouac on the ideal conditions for writing.
How Jack Kerouac wrote On The Road, part of designer Johnson Banks’ fantastic poster titled The Power of Creativity
(↬ Quipsologies)

How Jack Kerouac wrote On The Road, part of designer Johnson Banks’ fantastic poster titled The Power of Creativity

( Quipsologies)

Work-destroyers … work-destroyers. Time-killers? I’d say mainly the attentions which are tendered to a writer of “notoriety” (notice I don’t say “fame”) by secretly ambitious would-be writers, who come around, or write, or call, for the sake of the services that are properly the services of a bloody literary agent. When I was an unknown struggling young writer, as the saying goes, I did my own footwork, I hot-footed up and down Madison Avenue for years, publisher to publisher, agent to agent, and never once in my life wrote a letter to a published famous author asking for advice, or help, or, in Heaven above, had the nerve to actually mail my manuscripts to some poor author who then has to hustle to mail it back before he’s accused of stealing my ideas. My advice to young writers is to get themselves an agent on their own, maybe through their college professors (as I got my first publishers through my prof Mark Van Doren), and do their own footwork, or “thing” as the slang goes … So the work-destroyers are nothing but certain people.

The work-preservers are the solitudes of night, “when the whole wide world is fast asleep.”

Jack Kerouac on “work-destroyers” and “work-preservers” in The Paris Reviewadding to our running archive of insight on writing.

INTERVIEWER

What do you find the best time and place for writing?

KEROUAC

The desk in the room, near the bed, with a good light, midnight till dawn, a drink when you get tired, preferably at home, but if you have no home, make a home out of your hotel room or motel room or pad: peace. [Picks up harmonica and plays.] Boy, can I play!

Jack Kerouac in The Paris Review.

More writers on writing here.

What I do now is write something like an average of eight thousand words a sitting, in the middle of the night, and another about a week later, resting and sighing in between. I really hate to write. I get no fun out of it because I can’t get up and say I’m working, close my door, have coffee brought to me, and sit there camping like a “man of letters” “doing his eight hour day of work” and thereby incidentally filling the printing world with a lot of dreary self-imposed cant and bombast, bombast being Scottish for pillow stuffing. Haven’t you heard a politician use fifteen hundred words to say something he could have said in exactly three words? So I get it out of the way so as not to bore myself either.

Paris Review interview with Jack Kerouac, 1968. More writers on writing here

Also see Kerouac’s 30 beliefs and techniques for modern prose

For fellow travelers: Lisa Congdon (previously) hand-letters Jack Kerouac. More of Lisa’s typographic famous wisdom here.

For fellow travelers: Lisa Congdon (previously) hand-letters Jack Kerouac. More of Lisa’s typographic famous wisdom here.

Jack Kerouac’s hand-drawn cross-country road trip map from On the Road.
Also see On the Road visualized as language structures. 
So great – Jack Kerouac’s hand-drawn cover for On the Road.

So great – Jack Kerouac’s hand-drawn cover for On the Road.

A rare gem – racing form Jack Kerouac designed as a teenager, unearthed by Steve Silberman.

A rare gem – racing form Jack Kerouac designed as a teenager, unearthed by Steve Silberman.

I returned to college in the Fall, but my mind wasn’t at rest. My family was not any too well fixed; I felt out of place, the coaches were insulting, I was lonely; I left and went down to the South to think things over. Since then, on my own, I have been learning fast, writing a lot, reading good men, and have been slowly making up my mind, seriously & quietly. Either I am loathsome to others, I have decided, or else I shall be a beacon of rich warm light, spreading good and plenty, making things prosper, being a cosmic architect, conquering the world and being respected, myself grinning surreptitiously. Either that, Sirs, or I shall be the most loathsome, useless, and parasitical (on myself) creature in the world. I shall be a denizen of the Underground, or a successful man of the world. There shall be no compromise!!! I mean it.

A 19-year-old Jack Kerouac writing in his diary in 1941, at once a living testament to the richness of life as a college-dropout-turned-lifelong-learner and a poignant meditation on the most fundamental tension of the human condition.

From the superb New York Diaries.