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kenneth goldsmith
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Creativity is about the most worn-out, abused concept that used to mean something remarkable, something that differentiated someone, something that made them special. It’s a term that’s been usurped … and reduced to a base concept that has come to stand for the opposite of creativity: mediocre, middle-of-the-road, acceptable, unadventurous, and so forth—so that creativity is no longer creative. What was once creative is now uncreative.

Calling a practice uncreative is to reenergize it, opening creativity up to a whole slew of strategies that are in no way acceptable to creativity as it’s now known. These strategies include theft, plagiarism, mechanical processes, repetition. By employing these methods, uncreativity can actually breathe life into the moribund notion of creativity as we know it.

An interview with Kenneth Goldsmith, author of the provocative Uncreative Writing: Managing Language in the Digital Age
Literary critic Marjorie Perloff has recently begun using the term unoriginal genius to describe this tendency emerging in literature. Her idea is that, because of changes brought on by technology and the Internet, our notion of genius — a romantic isolated figure — is outdated. An updated notion of genius would have to center around one’s mastery of information and its dissemination. Perloff has coined a term, moving information, to signify both the act of pushing language around as well as the act of being emotionally moved by that process.
Democracy is fine for YouTube, but it’s generally a recipe for disaster when it comes to art.
An updated notion of genius would have to center around one’s mastery of information and its dissemination.