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What’s the Story?
A discovery engine for meaningful knowledge, fueled by cross-disciplinary curiosity.
A Brain Pickings project edited by Maria Popova in partnership with Noodle.
Twitter: @explorer
thought and opinion
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Scientists have another name for failure: data. Expecting that your first stab at a big project will succeed is not only unrealistic, but a bit lazy. We should consider ourselves “tinkering scientists” on our quest to create, with each failure just another data point.
If you’re reading to find friends, you’re in deep trouble. We read to find life, in all its possibilities. The relevant question isn’t ‘is this a potential friend for me?’ but ‘is this character alive?

In responding to a possibly sexist interview question, Claire Messud offers a beautiful definition of great literature. 

Pair with Virginia Woolf on how to read a book and Margaret Atwood on literature’s “women problem.”

The Four Personality Types

1. The Upholder (great at adhering to inner rules and outer rules)

2. The Questioner (good at inner rules, questions all outer rules)

3. The Rebel (doesn’t like any rules, inner or outer)

4. The Obliger (bad at sticking with inner rules, great at working with outer rules).

At the 2013 99U Conference, Gretchen Rubin, author of The Happiness Project — one of 7 essential books on the art and science of happiness — argues that habit is the key to happiness, and how we relate to rules is the key to habit.

Pair with William James on habit and advice on how to rewire your habit loops.

One strong cup of tea is better than twenty weak ones. All true tea lovers not only like their tea strong, but like it a little stronger with each year that passes — a fact which is recognized in the extra ration issued to old-age pensioners.
George Orwell’s 11 golden rules for how to make the perfect cup of tea, along with a rare recording of the author reading “one of the most controversial parts of all.” 
When things get tough, this is what you should do: Make good art. I’m serious. Husband runs off with a politician — make good art. Leg crushed and then eaten by a mutated boa constrictor — make good art. IRS on your trail — make good art. Cat exploded — make good art. Someone on the Internet thinks what you’re doing is stupid or evil or it’s all been done before — make good art. Probably things will work out somehow, eventually time will take the sting away, and that doesn’t even matter. Do what only you can do best: Make good art. Make it on the bad days, make it on the good days, too.
Make Good Art – Neil Gaiman’s timeless advice on the creative life, adapted by design legend Chip Kidd.
When things get tough, this is what you should do: Make good art. I’m serious. Husband runs off with a politician — make good art. Leg crushed and then eaten by a mutated boa constrictor — make good art. IRS on your trail — make good art. Cat exploded — make good art. Someone on the Internet thinks what you’re doing is stupid or evil or it’s all been done before — make good art. Probably things will work out somehow, eventually time will take the sting away, and that doesn’t even matter. Do what only you can do best: Make good art. Make it on the bad days, make it on the good days, too.

Make Good ArtNeil Gaiman’s timeless advice on the creative life, adapted by design legend Chip Kidd.

Be contemporary. Have impact. Strive for it. Be of the world. Move it. Be bold, don’t hold back. Then the moment you think you’ve been bold, be bolder. We are all alive today, ever so briefly here now, not then, not ago, not in some dreamworld of a hypothetical future. Whatever you do, you must make it contemporary. Make it matter now. You must give us a new path to tread, even if it carries the footfalls of old soles. You must not be immune to the weird urgency of today.
The wonderful Allie Brosh is back with the second installment in her poignant illustrated account of what depression actually feels like. Pair with Bobby Baker’s visual diary of mental illness and children’s self-portraits of autism. 

The wonderful Allie Brosh is back with the second installment in her poignant illustrated account of what depression actually feels like. Pair with Bobby Baker’s visual diary of mental illness and children’s self-portraits of autism

When you step away from the prepackaged structure of traditional education, you’ll discover that there are many more ways to learn outside school than within.

It all comes down to that urge to fascism — maybe a big word to use for art, but I think the right word — it comes down to that urge to fascism to know what’s best for people, to know that some people are of the best and some people are of the worst; the urge to separate the good from the bad and to praise oneself; to decide what covers on what books people ought to read, what songs people ought to be moved by, what art they ought to make, an urge that makes art into a set of laws that take away your freedom rather than a kind of activity that creates freedom or reveals it. It all comes down to the notion that, in the end, there is a social explanation for art, which is to say an explanation of what kind of art you should be ashamed of and what kind of art you should be proud of. It’s the reduction of the mystery of art, where it comes from, where it goes… 

In his fantastic SVA commencement address, cultural critic Greil Marcus addresses the recent Gatsby cover controversy and what it tells us about the perilous division between “high” and “low” culture. 
It all comes down to that urge to fascism — maybe a big word to use for art, but I think the right word — it comes down to that urge to fascism to know what’s best for people, to know that some people are of the best and some people are of the worst; the urge to separate the good from the bad and to praise oneself; to decide what covers on what books people ought to read, what songs people ought to be moved by, what art they ought to make, an urge that makes art into a set of laws that take away your freedom rather than a kind of activity that creates freedom or reveals it. It all comes down to the notion that, in the end, there is a social explanation for art, which is to say an explanation of what kind of art you should be ashamed of and what kind of art you should be proud of. It’s the reduction of the mystery of art, where it comes from, where it goes… 

In his fantastic SVA commencement address, cultural critic Greil Marcus addresses the recent Gatsby cover controversy and what it tells us about the perilous division between “high” and “low” culture. 

A gracefully executed quit is a beautiful thing, opening up more doors than it closes.
Troubles are urgent. They ask for direct action. … By contrast, worries often say more about the worrier than about the world. … So, addressing money worries should be quite different from dealing with money troubles. To address our worries we have to give attention to the pattern of thinking (ideology) and to the scheme of values (culture) as these are played out in our own individual, private existences.
That’s what art does, that’s what it’s for — to show you that what you think can be erased, cancelled, turned on its head by something you weren’t prepared for — by a work, by a play, a song, a scene in a movie, a painting, a collage, a cartoon, an advertisement — something that has the power that reaches you far more strongly than it reaches the person standing next to you, or even anyone else on Earth — art that produces a revelation that you might not be able to explain or pass on to anyone else, a revolution that you desperately try to share in your own words, in your own work.
A fine addition to history’s finest definitions of art from Greil Marcus’s fantastic 2013 SVA commencement address on how the division of high vs. low robs art of its essence.

I was taking an advanced calculus class and my instructor was reputed to be a fabulous researcher, but he barely spoke English. He was a very boring and bad teacher and I was absolutely lost and in despair.

So I went to the campus tutoring centre and they had Betamax tapes of a professor who had won teaching awards. Basically I sat with those tapes and took class there. But I still had to go to the other one and sat there and wanted to kill myself.

I thought at that time, in the future, why wouldn’t you have the most entertaining professor, the one with the proven track record of getting knowledge into people’s heads?

We’re still not quite there. In university you’re still likely to be in a large lecture hall with a very boring professor, and everyone knows it’s not working very well. It’s not even the best use of that professor’s time or the audience.

Wikipedia founder Jimmy Wales argues the boring university lecture will be the first casualty of the online education revolution.

Pair with Don’t Go Back to School, Kio Stark’s fantastic manifesto for lifelong learning outside the system.

Never whine. Whining lets a brute know that a victim is in the neighborhood.
Famous motherly advice from Maya Angelou and other great moms.

I have been a dad for 6 years, a mom for 12, and for a time in between I was both, or neither, like some parental version of the schnoodle or the cockapoo.

[…]

I understand the reluctance many people have to play down the importance of gender, or for that matter, biology, in parenting; a world in which male and female are not fixed poles but points in a spectrum is a world that feels unstable, unreal. And yet to accept the wondrous scope of gender is to affirm the potential of life, in all its messy beauty. Motherhood and fatherhood are not binaries. And that, I’d argue, is a good thing.

[…]

All of this gives me great hope for the future of the American family, for our open-mindedness and the great potential of our sons and daughters. But just as I begin to become overly optimistic, I remember seeing some television show featuring transsexual women and their children, back in the 1970s.

My grandmother was watching it. “Oh for God’s sake,” she said, sucking on her Kent filter king, “those people aren’t women.”

“They’re not?” I said. She had no idea that I was a woman like the ones she was dismissing. How could she have known? I was just a boy then.

“Of course not,” said Gammie.

“They have children,” I pointed out. “And breasts. And — you know. Vaginas.”

She shot me a look. Ladies of her generation didn’t say vagina or vote for Democrats.

“That’s not what makes someone a mother,” she said.

“Really? What does?”

Gammie took a long drag on her cigarette.

“Suffering,” she said.

For mothers and fathers alike, there are times when the line between suffering and joy can be as vague as the line, for transgender people, between masculine and feminine. But surely it is those moments we feel everything at once — maleness, femaleness, melancholy, ecstasy — that make us most human.

Absolutely beautiful essay on what makes a mother by Jennifer Finney Boylan, who used to be James Finney Boylan. Pair with the New Yorker’s heart-warming celebration of gender diversity this Mother’s Day.

Boylan’s fantastic recent book, Stuck in the Middle with You: A Memoir of Parenting in Three Genders, is a must-read.